DRUM!: Can you elaborate on the term
“locomotion?”
Purdie: Locomotion is always
moving forward. Never standing still. See, I’m not a drum
machine–I breathe. Some notes are harder than others. I try my
best for them not to put my snare and my bass drum through the [noise]
gates, because every time you hit it, it’s only going to be one
way. I like for it to breathe. I like colors. I paint a picture all the
time. This is why it’s so hard to control. The engineers today put
you on a gate because they’re used to having the same sound
throughout. So I say, “Why do you call me? You could’ve used
your machine.”
DRUM!: Has your playing changed over the years?
Purdie: Sure. I’ve had to play what the people
wanted. I’ve tried to keep up with the beats and the rhythms. The
one thing I haven’t changed is that I’m a timekeeper. No
matter what I play, I groove. I like to keep the time and tempo
constant, so I’m known as the groove maker. I’m known as the
timekeeper. I am the Swiss watch.
DRUM!: Looking back, is there anything you’d have
done differently?
Purdie: I would’ve asked some
of the people I helped make millionaires, for some points on production,
for writing, anything I could. Mainly those two things, because I got
paid good money. I got paid double scale, at least, for 25 years. But I
never got credit on a lot of the material. All I tried to do was to make
things work. I didn’t realize how much I was creating and putting
into it, either as a writer or a co-producer. People didn’t
remember things. If they don’t see your name on it, then
you’re not responsible for it. That’s what I’ve been
doing for over 40 years. SO now, I do prefer asking for points. I also
do ask for either co-writer or publishing on some of the material I do.
DRUM!: What would you advise someone who is serious and
starting out?
Purdie: Be as humble as possible. You
can’t afford to be a smart ass because it will defeat you every
time. It’s okay to tell people, “Yes. I’m goofy and
I’d like to show you.” But to go bragging doesn’t
really work because you end up alienating yourself. The industry is so
different today. See, most people today don’t realize what paying
dues it, and the young people today really don’t know. Anybody can
be taken off the streets and become a superstar. It only takes money.
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