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Glen Caruba: Funky Cascara For Timbales & Cowbell
Nashville percussionist Glen Caruba demonstrates a cool cascara rhythm on the timbales that incorporates cowbell and works perfectly with a 2:3 clave.

Nashville percussionist Glen Caruba demonstrates a cool cascara rhythm on the timbales that incorporates cowbell and works perfectly with a 2:3 clave.
Use this simple stick technique to roll on your mountable percussion toys and accessories with one hand, while keeping your other hand free to play other instruments.
In his brand new video lesson, Nashville session percussionist and DRUM! Magazine columnist Glen Caruba demonstrates four essential tones that can be played on a timbale: A center strike, playing near the edge, rimshots, and cascara, which involves playing rhythms directly on the shell.
Nashville percussion whiz Glen Caruba is back with a cool new technique for cajon enthusiasts. In this lesson he show how to expand your sonic palette by combining traditional hand slaps with strokes played with bundle rods, using a traditional grip.
So you thought paradiddles were strictly for drum set players, eh? Well, back in the ’90s, Puerto Rican conga sensation Giovanni Hidalgo blew everybody’s minds by applying drum set rudiments to conga technique, and redefined the boundaries of that age-old discipline. In this exercise, DRUM! columnist Glen Caruba shares a number of paradiddle variations for conga players.
Although native to Brazilian and samba rhythms, agogo bells can be adapted to virtually all styles of contemporary music. If you come across a set that does not have a wing nut for mounting, chances are it is a hand held design in which the handle can be squeezed so that both bells hit together.
When you’re tight on space or time and need to approximate the sound of kick, snare, and hi-hat, pull out a cajon and a pair of brushes and use the following strokes to add some different colors to your musical canvas.
The front plate of your box cajon is designed to have a certain amount of flex or “give” to not only obtain a rich deep tone, but also to be easy on the hands. Because of this you can actually bend it with slight pressure from your heel as you are playing to change the pitch.
