This great track has a rock-shuffle groove where the triplets are suggested via the kick and the snare rather than with a more blues-oriented 1 ah 2 ah 3 ah 4 ah hi-hat ostinato. The drums fit the song perfectly and there are some funky triplet flam kicks and fills throughout to keep things interesting.
This is pretty straight-ahead rock drumming but with some interesting feel changes. There’s a subtle change from a driving quarter-note hi-hat pattern to a lighter eighth-note pattern where Taylor also adds some ghosted snare notes. Shortly after the 2/4 measure there’s an unusual snare accent on the & of 4 and a change to a half-time groove. These back-and-forth feel changes continue throughout the song and Taylor somehow makes them flow smoothly.