Adam Nussbaum is one of today’s most inspiring jazz drummers. Nussbaum is completely versed in tradition, keeps the torch burning for all the jazz greats, and now even has a sideline in cymbal design.
Here is one of his exercises that I have found so helpful for the development of a jazz drum solo on a song form. The main idea is to take the rhythms of the melody of the song and then accent that melody by playing triplets, hand to hand. Ex 1 is the first rhythmic phrase in the style of “Bye Bye Blackbird.” Ex 2 illustrates that phrase in triplets, with the accents on the melody phrase. It can be a bit odd at first, but it really helps develop control, phrasing, accents, and solo ideas. You can move the accents around the kit (even playing them on the bass drum). Thanks, Adam, for so many years of inspiration!