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In-Ear Monitoring For Control Freaks
With so many in-ear monitoring options on the market, where does one start? Easy – begin with this essay on in-ear monitoring solutions for drummers.

With so many in-ear monitoring options on the market, where does one start? Easy – begin with this essay on in-ear monitoring solutions for drummers.
Learning to improve your live monitor mix is part art and part science, and with the help of a couple live sound pros, we cover both in this article.
Is touch something that really matters when playing electronic percussion instruments? For that matter, is touch even possible on electronic drums? The answer is an emphatic “yes!”
Looking for that big, boomy tom sound that launched a million hit songs? You’ve found the answer in Mike Snyder’s in-depth article that covers everything from microphone selection, drumhead choices, preamps, mixing, and beyond.
Adding loops to your performances are great for keeping time and adding texture without losing your groove. Take a look at how to incorporate them into your live sets.
Part I introduced the basics of digital audio workstations and multitrack recording. In Part II we cover loops, plugins, automation and other software issues.
Here are the key concepts that you need to know in order to record your music on a computer. Not every detail, but the essential high spots to getting started.
Creating and publishing podcasts can certainly be a plus for any musician. Norman Weinberg gives us tips and shows us how to create and manage the podcast of our dreams.
Norman Weinberg helps prod you out of your comfort zone into a realm of unique creative possibilities, greater personal expression and stylistic variety in this guide to exploring your e-kit.
Want your kick drums to sound like two freight trains ramming into each other while your beater barely touches the head? We tell you how.